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LOOP: AIGA Journal of Interaction Design Education
June 2003 Number 7

A Final Question

 










Items for an Archive of Experience Design
A fter completion of the virtual roundtable, we asked our participants to imagine themselves curators of a collection of experience design history and to tell us what they would choose to include in it. If an organization like AIGA were to start an archive of Interaction / Experience design, creating this list would be critical.
      Particpants’ responses ranged broadly from the highly personal to the universal, from hand-tools to websites. Some responded with a requirements checklist of what components would be needed to archive such artifacts. Brenda Laurel suggested the following items included with every archived work:-Initial goals and target audience for the project:

—A description of process
—Audience responses.
—Critical responses, if any.
—Fate of the project, if it no longer is up
and running.
—A list of credits.
—IP status: patented or copyrighted, shareware, public domain, etc.
-funding/revenue: commercial, nonprofit corporation, foundation grant, subscription, etc.
—A list of keywords, which might take the form of categories, for example.
—format: website, online game, stand-alone software, location-based, etc.
—usage category: entertainment, education, personal development, utility, etc.
—intended audience(s): preschool, elementary, tween, teen, females, males, etc.
—themes: (not multiple choice, but limit number of words—e.g., Renaissance role-playing game).

Jodi Forlizzi suggested that an archive would need to include “the critical successes and failures of product design in the last millenium. We’d have to include products that changed us emotionally, cognitively, and socially. We’d have to include products that we loved and we hated and products that took us by surprise as designers and as consumers.”
      Peter Lyman suggests forming a strategic alliance with the Internet Archive, which is archiving the web and as many other documents as possible, adding, “This might help solve the problem of context, and allow your archive to focus narrowly upon excellence in design.”
      We’ve attempted to pull together the remaining lists into the alphabetical order below. Many dates have been omitted due to our inability to determine accuracy. Below each item we present our participants commentary. By no means is this thorough, exhaustive or objectively factual. We did not intend to attempt to build such a list. In fact, we challenge Loop’s reader to add to this list by using our commenting feature to the left.

ACCESSPRESS Travel Guides
Nathan Shedroff comments: “Innovative organization based around regions and neighborhoods with innovative maps.”

Aibo (Sony)
Jodi Forlizzi notes the emotional and social changes brought about by this first commercially-available artificially intelligent robot companion.

Alto Computer and InterPress-based Laser Printers (Xerox)
Hugh Dubberly comments: “In 1972, Xerox built for research a personal computer with mouse and graphical interface. Later, it added a publishing system The Alto, Star, Lisa, Macintosh, Windows story is well known. The InterPress to PostScript story less so. Both are important landmarks. One summer while I was in grad school, I worked for Xerox. My office came with an Alto. Imagine my surprise when I went to work at Wang and couldn't even send email.

Apple Guides interfaces
Nathan Shedroff comments: “For at least version 3.0, this guide—based (as opposed to agent) interface to a history database represented multiple points of views on the same entries. It included sophisticated sorting of relevance algorithms, character and narrative in the interface.”

Apple’s Piles Interface
Nathan Shedroff comments: “Innovative document visualization, management, and manipulation interface. Ambient indications of document age, browsing, and gestural interface elements.”

Apple’s Rosebud WAIS search technology
Nathan Shedroff comments: “Interface involving “Reporters” as a representation of knowledgeable agents.”

APS Typesetting System (AutoLogic)
Hugh Dubberly comments: “When I was an undergraduate at RISD, the Providence Journal allowed students to use its typesetting system. This was my first experience trying to use a computer to produce design work. More than 20 years later, mark-up languages remain relatively unchanged.”

As We May Think
Hugh Dubberly comments: “Vannevar Bush, President Roosevelt's National Science Advisor, published this landmark article in the July, 1945, issue of The Atlantic Monthly magazine. In it, he forecasts the development of networked hypermedia which he embodied in a system called the Memex. While he postulated that such a system might be based on microfilm, his description of linked information was remarkably prescient. His article remains required reading for anyone working on interactive projects.”

Bubbe's Back Porch
Nathan Shedroff comments: “Digital Storytelling, Character-based agent (though not interactive) personification, storytelling techniques, Digital Story Bee.”

Computer Lib / Dream Machines
Hugh Dubberly comments: “In 1974, Ted Nelson's published this ‘zeen-like double book describing what computers should be like to use. In it, he first used the term hypertext. Also required reading.”

Digitalspace.com (Bruce Damer et al.)
Brenda Laurel comments: “The inventor of avatars and most graceful software for using them; also a key contributor to Adobe Atmosphere.”

Englebart's 1968 Fall Joint Computer Conference Presentation
Hugh Dubberly comments: “This 90-minute demonstration changed computing. Doug Englebart demonstrated a graphical display, windowing, outlining, linking, and—of course—a mouse. This demonstration and his 1962 paper “Augmenting Human Intellect: A Conceptual Framework” are seminal works in a seminal career.

The Fray
Nathan Shedroff comments: “Online storytelling with user contribution / discussion”

HyperCard (Apple Computer)
Hugh Dubberly comments: “In 1987, Bill Atkinson and team developed an amazing hypermedia development system. Many web designers started working on interactive projects using HyperCard to control CD-based ‘multi-media’.”

Ken’s Apartment
Brenda Laurel comments: “Reality TV before reality TV, on the web.”

MacOS 7, 9, X (Apple Computer)
Nathan Shedroff comments: “Standard GUI interactions, desktop metaphor, etc.”

MIT Architecture Machine Group's Interactive Video Project
Hugh Dubberly comments: “In the late 70s, this precursor to the Media Lab developed an amazing ‘Oil Change’ interactive tutorial for the Department of Defense. In what I recall as a related project, Wendy Richmond developed anti-aliased (gray-level) screen fonts. Both projects were unequaled commercially for years.”

Netscape Web Site (March 1996).
Peter Morville comments: “The Netscape Communications Corporation played a major role in popularizing the World Wide Web and unleashing the creative energy and that powered the "new economy." Netscape.com became a showcase for the capabilities of the Netscape browser. In 1996 and 1997, the Frames and Java epidemics (see http://www.webreview.com/1997/02_07/developers/02_07_97_3.shtml for sample article from this period) started here before infecting web sites around the world. If AIGA could somehow capture the experience of navigating Netscape.com using the Netscape 2.0 browser, this would provide wonderful insight into the state of technology-driven experience design during the Internet boom.

Neuromancer
Hugh Dubberly comments: “William Gibson's classic noire novel of cyberspace.”

Next Exit (Dana Atchley)
Brenda Laurel comments: “The canonical digital storytelling performance.”

Osmose (Davies)
Brenda Laurel comments: “Visionary VR content and interface (breath-driven).”

Nathan Shedroff comments: “Visually-stunning VR systems employing multiple transparent imagery and movement with natural visual metaphors.”

OXO Goodgrips (OXO)
Jodi Forlizzi notes the emotional and cognitive change brought about by these steel kitchen and household tools with OXO's trademark flexible “fins.”

Pac Man (Bally/Midway)
Brenda Laurel comments: “often seen as the best of the arcade games and the first to attract female players.”

PalmOS and PenPoint
Nathan Shedroff comments: “Both are well-designed gestural interfaces.”

PDP 11 based Timesharing System and Teletype
Hugh Dubberly comments: “When I was in 8th grade, my school had a teletype connected to a timesharing system. The teletype was connected by inserting a telephone headset into a coupler (a little cradle) and dialing the telephone. The teletype had a keyboard for entering instructions. It printed results on a continuous role of newsprint. Instructions could be saved by printing out paper tapes. I spent hours watching it type out patterns generated by the game ‘Life’. Later, I learned to program in Basic on that system.”

Placeholder (Laurel, Strickland, Naimark, and Tow)
Brenda Laurel comments: “Groundbreaking exploration of place and story in VR.”

Nathan Shedroff comments: “Collaborative VR system (with 2 concurrent users), innovative movement mechanisms and user representations and narrative VR elements.”

Pong (Atari)
Brenda Laurel comments: “The original arcade game.”

Hugh Dubberly comments: “It's wide distribution changed perception about computing and gaming. Atari released Pong in 1972, but I was a late adopter not playing until 1976.”

Powers of Ten (Charles and Ray Eames)
Nathan Shedroff comments: “Innovative magnitude-based perspective of scale (from the furthest reaches of the known Universe to the smallest sub-atomic particles).”

PROFs (IBM)
Hugh Dubberly comments: “Many years before AOL's Instant Messenger became popular, and even before IRC, IBM Professional Office system (PROFs) allowed people to exchange messages in real time.”

Purple Moon website and CDs
Brenda Laurel comments: “Powerful online girls’ community with virtual objects.”

Nathan Shedroff comments: “There is emotion-based navigation in the CD-ROM games for girls. The website site is a collaborative web community for teen (and younger) girls using trading tokens, postcards, and scrip economy. Innovative user profiling and communication with security features to protect community members. Backstory is present for CD products as well as E-mail communications from the Purple Moon characters.”

Rocky’s Boots (Robinett, The Learning Co.)
Brenda Laurel comments: “First and best educational software for Apple II.”

The Sims (Will Wright, Maxis)
Brenda Laurel comments: “Will finally got the interface right for a game about human social behavior with both truth and humor.”

Sissyfight (Eric Zimmerman, Gamelab)
Brenda Laurel comments: “Hilarious, simple, novel, politically incorrect game see www.gamelab.com.”

SMART Yellow Pages
Nathan Shedroff comments: “Innovative information design of community information. Clear innovations in searching and browsing to solve some very specific and intrinsic problems: subject searches, task searchers, page layout and numbering, reference links, diagrams and mapping systems and many series of innovative, clear and beautiful icons.”

Snow Crash
Hugh Dubberly comments: “Neal Stephenson cyberpunk novel provides a detailed view a digital ‘Metaverse’ and its inhabitants.”

Spacewar, VT-100 version
Brenda Laurel comments: “The original multiplayer game on computers.”

Spotlife
Nathan Shedroff comments: “Video communications and community tool.”

Star Tours (Disney)
Brenda Laurel comments: “First and best motion platform ride, with excellent ‘waiting in line’ design.”

Spyonit Net Agent
Nathan Shedroff comments: “Online agents.”

TomPaine.com, 2000 election release
Brenda Laurel comments: “Powerful democracy website.”

True Names
Hugh Dubberly comments: “In this classic piece of science fiction, Vernor Vinge first used the word Avatar to describe identities inhabited in an online world.”

Ultima Online (Electronic Arts)
Brenda Laurel comments: “Huge success fueled by social energy.”

Upshift (Art Center College of Design, Media Design Program)
Brenda Laurel comments: “A complete transmedia service devoted to encouraging the adoption of low-emission vehicles.”

VentureCollective.com
Brenda Laurel comments: “New model for activist altruism.”

Wildfire Communications
Nathan Shedroff comments: “A voice-activated and automated interactive agent phone system.”

Windows 2000, XP (Microsoft)
Nathan Shedroff comments: “Same as MacOS mentioned above but with different visual design and slightly different interactions.”

WorkingAssets.com
Brenda Laurel comments: “new business model.”

Yahoo Clubs
Nathan Shedroff comments: “A variety of very successful community tools.”

 

LOOP June 2003 Number 7